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Fiction File September 2011 PDF Print E-mail
Written by Christine D. Johnson   
Friday, 12 August 2011 11:19 AM EDT

ASK THE AUTHOR: Athol DicksonDickson_Athol

TheOppositeofArtNext release: The Opposite of Art (September).

Publisher: Howard Books.

How do art and faith mix in The 
Opposite of Art?

“Faith,” in the sense of belief or trust, is explored in the idea of a great artist, perhaps the foremost genius of his generation, whose sense of self-worth and identity is inseparable from his talent. There is nothing he can’t paint, and through painting, redefine in ways that are relative to himself. In that way he stands at the center of his universe. Then along comes the one exception, something he can see and experience but can’t reduce to paint and canvas. ... He has a choice to make: Will he continue trying to force this thing to submit to him, or will he submit himself to it? 

There’s also “faith” as a synonym for a spiritual system of ideas. The Opposite of Art explores that through the idea of art as a tool in the hands of faith. Art as beauty, and beauty as God’s revelation of Himself within creation. ... On one level, the story is about what it means to worship the art of creation instead of the Creator Artist.

Your main character, Sheridan Ridler, ends up with a Mexican circus—how did you think of that one?

I wanted to drive Ridler to his knees, so I thought about what that would look like for a great artist. What would be the most humiliating thing for a Pablo Picasso? And I came up with a caricature artist … Then I needed Ridler to be isolated for plot-related reasons, so I thought of a Mexican circus. I grew up in Texas, so I knew about them. ... It was a good way to get Ridler back to America after his pilgrimage while maintaining his isolation. Also, I loved the symbolic potential of a circus.

What kind of pilgrimage does he go on?

Ridler loves a woman, Suzanna, who basically throws him over for Jesus. It makes him very angry because he has a massive ego, but also because, to him, Jesus is just a myth. Losing her to a mere idea instead of to flesh and blood somehow makes it worse. But he really loves this woman in his self-obsessed way, so he has to believe she’s extremely special, otherwise she would be unworthy of his love. That means he is suddenly compelled to understand how someone worthy of his love might view myth as reality, so he sets out to try to understand the basis for religious faith.

Then there’s his own encounter with the ineffable, that thing he has seen and experienced but can’t reduce to paint and canvas. He refuses to accept that it might have been divine, but he suspects there might be some natural basis in the myth, something “real” that he could paint if he only understood it. So he sets out to understand it in order to justify his love for Suzanna, and to reassert himself as the center of his universe.

What do you hope the reader comes away with after reading this work?

I hope this is the kind of novel readers will want to savor. Much of the story revolves around the idea of beauty and the creative instinct. ... And I hope this story will inspire some readers to think about things like the destructive nature of pride, and the fact that all true love is sacrificial. I hope it will remind some readers of the simple fact that we create because God first created us. We are God’s art.

 
Close Up: Charles Colson PDF Print E-mail
Written by Christine D. Johnson   
Friday, 12 August 2011 11:09 AM EDT

Latest project: The Sky Is Not Falling: Living Fearlessly in These Turbulent Times (Worthy Publishing, Sept. 6).TheSkyIsNotFalling

Many today have lost faith in government. How do you think Christians should conduct themselves in this volatile time? Many people today are exasperated by government, frustrated because it doesn’t seem to be functioning. But as Christians we don’t give up on the system because government is one of the three institutions which God specifically ordains: marriage, government and the church. Government’s function is to preserve order and do justice. When it exceeds its biblical warrant, then it’s fair game for us to oppose it. But we cannot be respectful of those who govern us and give up on the institution at the same time. Remember, the only thing worse than bad government is anarchy.

How do you defend the culture wars when many think Christians shouldn’t be involved? I can’t think of a single issue that Christians have introduced into what is called the culture wars, whether it’s the deconstruction of marriage or the erosion of religious liberties or the encroachment upon the sanctity and dignity of human life; every attack has been made by secular liberalism. Christians are merely defending, as we are commanded to do, a biblical view of justice in society. When it comes to life and marriage, these are specific biblical mandates. We have no option but to defend those. As for religious liberty, it is in our DNA as Christians. We are made to be free in God’s image, with a free will. Freedom is part of human nature, so obviously we must defend it. No one can responsibly blame us for the culture wars. 

 
John Piper: Gospel Has Power Over Racism PDF Print E-mail
Written by Christine D. Johnson   
Friday, 12 August 2011 11:04 AM EDT

John Piper—best-selling author, pastor and leader of the Desiring God ministry—was once a racist, he admits in Bloodlines: Race, Cross, and the Christian (978-1-433-52852-1, $19.99), releasing Sept. 30 from Crossway.Bloodlines

In the Civil Rights era, Piper grew up in Greenville, S.C., where “enforced segregation was almost absolute,” he writes. Comparing his world to that of Jesse Jackson, who lived just across town, he observed that it was no wonder Jackson attended a liberal theological institution rather than a fundamental or evangelical school in the South, which were “committed to segregation.”

Despite his racist tendencies, Piper had an affection for Lucy, a black woman who came to clean the family’s home every week. His mother, a “gutsy Yankee fundamentalist,” invited Lucy to their church for his sister’s wedding—a daring move in 1962 when the congregation had voted not to allow blacks into services. Piper’s mother was the lone voice against the motion.

Along with his mother’s good example, Piper was strongly affected by a comment by an Urbana missions convention speaker in favor of interracial marriage. God’s work in his life regarding his racist attitudes continued at Fuller Seminary and beyond. 

Today, working in an urban parish, he doesn’t see himself as a model multi-ethnic pastor, but his congregation is intentionally aiming for greater diversity, and not long after he turned 50, he and his wife, Noel, adopted an African-American little girl.

Piper wrote Bloodlines with the aim of seeing Christ-followers learn to live “the kind of lives that advance the cause of Christ-exalting racial diversity and Spirit-enabled racial harmony.” He sees the gospel as “the only sufficient power for this effort, and the only power that in the end will bring the bloodlines of race into the single bloodlines of the cross.”

He devotes much of the book to the gospel remedy for racism, and addresses the Reformed church, acknowledging that some of its representatives have not always been good examples of racial reconciliation.

Piper also warns against another extreme—making race an idol. “Some churches have never taken the first baby steps in thinking biblically about race and ethnicity. Others devote so much focus to it that people get sick of the issue, and backlash sets in,” he writes, urging a God-centered balance.

To order Bloodlines, call 800-323-3890, or visit www.crossway.com.

 
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